Printed bags, pouches, wraps, inserts, cards and labels. The shipment is often the only physical object a patient ever receives from you — it may as well look like it came from you.
We work with a manufacturing partner, so packaging can be built to a pharmacy's specification rather than selected from a catalogue. Where the volume justifies the tooling, we develop a format for the use case instead of forcing the use case into a stock size.
That is a narrower promise than it sounds, and deliberately so. It does not mean anything is possible at any quantity — tooling has a cost and a minimum, and a format that only makes sense at ten thousand units a year is not a format we should sell you at five hundred. What it means is that the conversation starts with your packout instead of with our stock list.
It matters most where a packout is unusual, because that is exactly where a catalogue fails. A stock distributor can offer you the closest existing container; the gap between that and the right one is paid for in void fill, wasted cube, extra handling steps and freight on air.
Made-to-order in your artwork, sized to your standard packouts rather than to a catalogue's nearest match.
The pieces that sit on top when the box opens — welcome cards, dosing reminders, re-order prompts, administration guides.
For vials, kits and outer packaging, in materials chosen for where they actually live — including refrigerated.
The shipping layer itself, so the parcel is recognisably yours before it is opened.
Our name is not on your patient's doorstep. Everything we design leaves deliberate room for your identity, and where the two would compete, yours wins.
That is not modesty. A packaging supplier whose branding shows up in a patient's unboxing has taken attention that belonged to the pharmacy that earned it.
Custom print is where packaging projects most often become permanent exceptions. The way out is to finish with a controlled asset, not a one-off.
We produce or confirm the flat template — the exact cut and fold geometry your artwork has to sit inside. Everything downstream references it, and it belongs to your program.
Your design placed on the dieline, with print zones, colour method and bleed resolved. You approve a proof before anything runs.
The run is made against the approved proof, at a defined minimum quantity and lead time.
The second order references the same dieline and artwork revision. It should be a purchase order, not a project — and if it isn't, the first job was done badly.
Send us what you ship in today and what you want it to look like. We will come back with a dieline, a concept and a run price.